Located 14 kilometers from Zenica, Vranduk Fortress is one of the most important sights of Bosnia and Herzegovina (BiH). Once a royal city, its impressive appearance testifies to life in the medieval Kingdom of Bosnia.
In the past, woven kilims and other handicraft carpets were a reflection of a family’s reputation. The more skilled young women were in handcrafts, the wealthier the household. Today, however, things are different.
It is hard to understand the killing of a child. The deliberate and ruthless targeting of children during the Siege of Sarajevo tragically illustrates the contrast between childhood innocence and war’s brutality. To commemorate the start of the occupation of Sarajevo, the documentary, "Djeca Sarajeva”, was screened for the first time on the 4th of April at the Sarajevo City Hall.
“After 620 years, Jajce Fortress still stands as a symbol of the city and a silent witness to its turbulent history,” recounts Slavica Drmić, history teacher at the Jajce elementary school in Kruščica.
Sixteen years ago, Sarajevo singer-songwriter Maja Milinković first heard Portuguese fado (meaning ʻfateʼ in Portuguese). She has since become a pioneer, along with her ensemble, in introducing this musical genre to Bosnia and Herzegovina. Merging it with the traditional Bosnian sevdah/sevdalinka genre, Milinković has managed to combine different rhythms and meditative character into one.
Enis Čišić is obsessed with his job. He is a freelance visual artist from Bosnia and Herzegovina (BiH) whose first encounter with a pencil – inspired by pictures from encyclopedias, picture books and a favorite television program – began in the 1980s.