Almin Zrno “Undisguised Characters of My Photographs: Small and Fragile, Naked and Free”
Almin Zrno’s love for photography started long ago, when, following his intuition, he knocked on the door of the famous CEDUS photography club. This introduced him to the world of his future profession. His career has been marked by various photographic expressions. Today, he finds his expression in nude and portrait photographs.
Dijana Muminović: Documentary Photography with a Bosnian-American Touch
Dijana Muminović, a Master of Visual Communications, is an award-winning Bosnian-American photographer who, through documentary photography, tells stories about immigrants, human rights, and the consequences of the war in Bosnia and Herzegovina.
The Sniper Alley Project
Džemil Hodžić was just a child when his brother Amel was tragically killed by a sniper during the siege of Sarajevo. Driven by a desire to find photos of his brother, he established the Sniper Alley platform in 2019, with the aim of collecting photographs, particularly those of children who lived through the Sarajevo siege. However, the Sniper Alley project is more than a mere collection of photographs, it is a testimony to survivor resilience.
Artistic Responses to the Past and Present
As part of the interdisciplinary project “PRESENT PAST” organized this year by the Goethe Institute in Zagreb, Belgrade, Sarajevo, and Skopje, a group of artists crafted an artistic response to the cultural and political neighborly relations among their respective countries—past and present. The initiative included four authors from Croatia, five cartoonists from Serbia, two photographers from Bosnia and Herzegovina, and one performance artist from North Macedonia.
People as inspiration, photography as a joy
Realizing that photography was her true love, Aida Redžepagić, a Kakanj girl with a Sarajevo address, left her job as a university professor and devoted herself completely to what brings her the most joy.
“The Colorless:” A Film that Captures the Possibility of Not Belonging
Aida Gavrić’s debut film “The Colorless” was shown on October 14th as part of the Post-Conflict Research Center’s project and photo exhibition “The Love Tales.” The film is about children from ethnically mixed marriages who, stigmatized as ‘half-breeds,’ are consigned to a liminal space, in between world’s, given the ethno-nationalist character of Bosnian and Herzegovinian society.