On July 23rd, 2021, Valentin Inzko, the High Representative for Bosnia and Herzegovina (BiH), introduced a Law on the Amendment to the Criminal Code of Bosnia and Herzegovina punishing the denial of international crimes and glorification of war criminals. Coming shortly before the end of his mandate, this decision, in Inzko’s words, was taken after “all chances offered to the domestic authorities to distance themselves from war criminals were ultimately rejected.”
The Srebrenica Memorial Center and the Post-Conflict Research Center are organizing the third edition of the Srebrenica Youth School from July 5th to 13th. The participants will have the opportunity to learn about transitional justice, memorialization and historical narrative building, human rights, and the prevention of genocide and mass atrocities.
Plagued by nationalist-political narratives and rabble-rousing rhetoric, Bosnia and Herzegovina (BiH) is facing its worst political crisis since the end of the 1992-1995 conflict. However, street art in the country’s capital points to the possibility of reconciliation and peaceful coexistence in a society still polarized by the wounds of war.
On the 27th anniversary of the crimes against Tuzla's youth, the Srebrenica Memorial Center premiered the film „Kapija '95“, produced by the Post-Conflict Research Center, the Srebrenica Memorial Center, and the British production company Pinch Media.
As part of the pre-program of Trnjanski kresovi to commemorate the liberation of Zagreb by the partisans on May 7th, the Zagreb Antifascist Network Zagreb organized Anti walks in cooperation with Documenta and researcher Tena Banjeglav.
I had heard his story before. In fact, I had read and re-read it dozens of times already. But, as I listened to Ahmed Ustić’s Death March story, there was no way of quelling the strange paralysis that I had felt when I first read the account of this young man’s horrifying six-day journey for survival.