Plagued by nationalist-political narratives and rabble-rousing rhetoric, Bosnia and Herzegovina (BiH) is facing its worst political crisis since the end of the 1992-1995 conflict. However, street art in the country’s capital points to the possibility of reconciliation and peaceful coexistence in a society still polarized by the wounds of war.
On the 27th anniversary of the crimes against Tuzla's youth, the Srebrenica Memorial Center premiered the film „Kapija '95“, produced by the Post-Conflict Research Center, the Srebrenica Memorial Center, and the British production company Pinch Media.
As part of the pre-program of Trnjanski kresovi to commemorate the liberation of Zagreb by the partisans on May 7th, the Zagreb Antifascist Network Zagreb organized Anti walks in cooperation with Documenta and researcher Tena Banjeglav.
I had heard his story before. In fact, I had read and re-read it dozens of times already. But, as I listened to Ahmed Ustić’s Death March story, there was no way of quelling the strange paralysis that I had felt when I first read the account of this young man’s horrifying six-day journey for survival.
In 2020, the Post-Conflict Research Center (PCRC) and the Srebrenica Memorial Center began organizing a summer school for young people in Srebrenica. The first one, entitled ‘Dealing with the past to rethink the future’, was held in the period from July 8 to 13, 2020, while the second, called ‘Truth. Justice. Prevention.’, lasted from July 6 to 13, 2021.
Personal documents, clothing, and photos which belonged to Azem Delić, a father killed in the Srebrenica genocide, were recently donated to the Srebrenica Memorial Center, along with a belt he made before his murder for his son Muhamed. “The items belong to the Srebrenica Memorial Center because they speak most about those killed if they are close to them,” said Azem’s surviving son, Muhamed Delić.