After 12 years, horse races returned to the Butmir Hippodrome, thanks to the initiative of passionate young equestrian enthusiasts. This event rekindled hope that the sport might once again become a major attraction in Sarajevo as well as Bosnia and Herzegovina, continuing a 130-year-old tradition.
The painter Mira Kovačević found her passion for art in the technique of painting with wine, thereby confirming that using even the most unusual materials can reach the hearts of others. After becoming bored with standard painting techniques, she wanted to do something different and unique.
For some, maps serve as a streamlined tool to help one get from point A to point B. But for the team of the Subjective Atlas project, the act of cartography itself represents a complex journey informed by politics, history, and the personal relationships we have to the landscape in which our lives unfold.
The economic, political, and cultural climate of the moment constantly questions the organization of independent spaces where contemporary art can be produced. This art aims to challenge, criticize, and forge connections with the community. It also provides insights on how to overcome patriarchal cultural norms which view art as merely an extension of its regressive politics.
The siege of Sarajevo, the longest siege of a capital city in the history of modern warfare, continues to be remembered for its brutal disregard for life. Nevertheless, amidst the grave destruction, daily shelling, and the constant struggle for survival, the people of Sarajevo refused to surrender. During this harrowing period, artists played a vital role, contributing to the birth of a culture of resistance in the capital of Bosnia and Herzegovina and showing that the spirit of Sarajevo will never die.
A theology and history graduate from Banja Luka, Danijel Mihić is often said to be an unusual educator. He strives to be an older friend to his students and teaches them how important it is to stay honest because, in his own words, only an honest man can be free.