For some, maps serve as a streamlined tool to help one get from point A to point B. But for the team of the Subjective Atlas project, the act of cartography itself represents a complex journey informed by politics, history, and the personal relationships we have to the landscape in which our lives unfold.
Although the Spid swimming club was founded with the goal of developing inclusive sports, over the last eight years, it has become a gathering place and a source of unbreakable friendships for children from all over Bosnia and Herzegovina (BiH), regardless of their ethnicity or any other differences. This club has also been a place where children with developmental difficulties or disabilities, who are often referred to as “water heroes,” have won numerous awards.
In the last 50 years, there have been no death penalty verdicts or known blood feuds in Bosnia and Herzegovina, despite the country’s violent history of atrocities and genocide.
What began as a temporary arrangement, “two schools under one roof” has now become an enduring example of segregation in Bosnia and Herzegovina, with profound implications for long-term peace and coexistence in the country.
The economic, political, and cultural climate of the moment constantly questions the organization of independent spaces where contemporary art can be produced. This art aims to challenge, criticize, and forge connections with the community. It also provides insights on how to overcome patriarchal cultural norms which view art as merely an extension of its regressive politics.
Bosnia and Herzegovina and Scotland are two small countries with a lot of differences, but the Scots who live in Sarajevo believe that the people of these countries are connected by warm hospitality towards foreigners, dark humor, and a relaxed view on life.