Joshua Oppenheimer’s companion films The Act of Killing and The Look of Silence cinematically explore the enduring consequences of large-scale violence. Last year, both films were screened as part of the Sarajevo Film Festival’s Dealing with the Past project. Read Part I of ‘Reflections’ here. While Oppenheimer’s The Act of Killing interrogates the role of …
How do we heal when the past is wrought with violence while the present offers perpetrators impunity and survivors little to nothing? Joshua Oppenheimer’s two films, "The Act of Killing" and "The Look of Silence", each offer some insight into helping answer not only this question but the many questions that linger after incidents of genocide.
“How does one archive or record the details of the massacres of a state that wants to hide its massacres?” Serbian director Ognjen Glavonić attempted to do just that with his latest film.
Balkan Diskurs correspondent Struan Kennedy provides a review of three films that were recently shown at Ars Aevi Museum of Contemporary Art in Sarajevo as part of a retrospective of the work of French filmmaker Jean-Gabriel Périot.
In 2011, peaceful protests started in Daraa, Syria following a wave of large-scale protests across the Arab world. Bashar al-Assad's regime brutally cracked down on all opposition to his rule and met protests with violent repression.