The siege of Sarajevo, the longest siege of a capital city in the history of modern warfare, continues to be remembered for its brutal disregard for life. Nevertheless, amidst the grave destruction, daily shelling, and the constant struggle for survival, the people of Sarajevo refused to surrender. During this harrowing period, artists played a vital role, contributing to the birth of a culture of resistance in the capital of Bosnia and Herzegovina and showing that the spirit of Sarajevo will never die.
Tourism in areas known for acts of war, genocide, and terror has been dubbed ‘dark tourism.’ BiH has been included on a dark tourism website which provides information on various dark tourism destinations, including Sarajevo, Mostar, and Srebrenica.
Tourism agencies resumed operations in Sarajevo almost immediately after the end of the war. The first post-war tourists began arriving in the city in 1996, just months after the siege came to an end.
There, behind the apartment blocks which once obscured the festival’s inaugural 1994 iteration from VRS snipers, we settled down for a special pre-screening of Jasmila Žbanić’s still unfinished documentary, Blum.
The Sarajevo Canton Memorial Fund and the Post-Conflict Research Center (PCRC) recently released a scientific report entitled “The Siege of Sarajevo from 1992 to 1995,” based upon the relevant court judgements. It documents the sniping and shelling of the city as well as the war crimes committed in eight municipalities, with the aim of promoting greater acceptance of judicially established facts and countering the denial of the crimes carried out against Sarajevo civilians.
The siege of Sarajevo (1992-1996) was the longest siege of a capital city in modern history. The daily campaigns of shelling and sniping, targeting the civilian population, were terrible and cruel, compounded by the blockade of humanitarian aid convoys and the severance of any connection with the rest of Bosnia and Herzegovina and the world.