Aida Gavrić’s debut film “The Colorless” was shown on October 14th as part of the Post-Conflict Research Center’s project and photo exhibition “The Love Tales.” The film is about children from ethnically mixed marriages who, stigmatized as ‘half-breeds,’ are consigned to a liminal space, in between world’s, given the ethno-nationalist character of Bosnian and Herzegovinian society.
Places that you visit spontaneously for the first time really have a special aura and soul. Just like that, with these emotions, my first trip to Rama was to study the traditional custom of tattooing among Catholics in Bosnia and Herzegovina.
Tourism agencies resumed operations in Sarajevo almost immediately after the end of the war. The first post-war tourists began arriving in the city in 1996, just months after the siege came to an end.
There, behind the apartment blocks which once obscured the festival’s inaugural 1994 iteration from VRS snipers, we settled down for a special pre-screening of Jasmila Žbanić’s still unfinished documentary, Blum.
Under the symbolic name “Trčim za mir” [I run for peace], a trail race will be held on October 1st in Mostar on three tracks, five, ten and 21 kilometers long. Its aim is to contribute to peace, spreading the message that it is possible to build peace with everyone in Bosnia and Herzegovina.