A fundamental part of state unity is a shared sense of national identity, embodied in a flag, anthem, or passport. Despite their many differences, both Canada and Bosnia have witnessed a rise in identity politics and division which have threaten the social cohesion and national identity in both countries.
A pressing issue in Bosnia and Herzegovina (BiH) is the exodus of young people to foreign countries, be it temporarily or permanently, following the completion of their high school education, between the ages of 18 and 24.
Studio Theater, a theater group from Zenica, has been introducing and promoting theatrical art, and art in general, among young people for the past six years. They are raising awareness about the importance of the performing arts through various projects, including those involving young people from other communities in Bosnia and Herzegovina.
The Bosnian National Theater (BNP) in Zenica represents a unique architectural marvel of the former Yugoslavia. Beyond its role as a cultural institution, it has not only contributed to arts and culture but has also played an educational role in the lives of children and youth for over 73 years.
Balancing art and army, Ramiza Sarić confronted enemy occupation on two fronts during the wartime period in Bosnia and Herzegovina: the cultural and militaristic. Today, at the age of 77, having traveled the world extensively, she claims that we are “the best country with the best people who are the most cultured and civilized.”
Roma are the largest of the 17 national minority groups in Bosnia and Herzegovina (BiH), with the existence of Romani people recorded in Bosnia for over 600 years. Yet, there continues to be a stigma attached to this minority group, which has translated into mistreatment and poor living conditions throughout the country (Minority Rights, Roma, 2015).