For some, maps serve as a streamlined tool to help one get from point A to point B. But for the team of the Subjective Atlas project, the act of cartography itself represents a complex journey informed by politics, history, and the personal relationships we have to the landscape in which our lives unfold.
The economic, political, and cultural climate of the moment constantly questions the organization of independent spaces where contemporary art can be produced. This art aims to challenge, criticize, and forge connections with the community. It also provides insights on how to overcome patriarchal cultural norms which view art as merely an extension of its regressive politics.
The siege of Sarajevo, the longest siege of a capital city in the history of modern warfare, continues to be remembered for its brutal disregard for life. Nevertheless, amidst the grave destruction, daily shelling, and the constant struggle for survival, the people of Sarajevo refused to surrender. During this harrowing period, artists played a vital role, contributing to the birth of a culture of resistance in the capital of Bosnia and Herzegovina and showing that the spirit of Sarajevo will never die.
In his quest to craft wearable, functional glasses frames from solid wood, Damir Bajraktarević from Sarajevo has discarded more test frames than he can remember. Five years have now passed since he perfected his frames and the result today is his Dawood brand of recognizable wooden glasses and sunglasses.
Throughout its two decades of work, Abrašević Youth Cultural Center (YCC) has had to support itself in its project of providing Mostar with a social hub, a gathering space, and a place that creates unique and alternative cultural opportunities for young people. Abrašević's history goes back much further than is commonly known, but its goals remain unchanged to this day.