Confession: The Look of Contempt
“His gaze was full of contempt, but his words tried to convince me that he could not live without me. He insisted it was the only way."
Through Art, Aida Šehović Spreads the Memory of Srebrenica Genocide Victims
Banja Luka native Aida Šehović was hit by war when she was just 15 years old. Now, Aida has made it her mission to use art as a means to commemorate the victims of genocide and to educate citizens worldwide about the consequences of war. 
Dalibor Tanić: If All You See is that I Am Roma, the Flaw is Yours
This was supposed to be a story about national minorities, however, it soon became an effort to find the words to best describe the greatness of a man who does not allow others to judge him based on what he is, but rather on all the important characteristics that make him WHO he is.
The Alliance for Historical Dialogue and Accountability
The Alliance for Historical Dialogue and Accountability (AHDA) is part of a growing field of scholarship exploring the historical legacy of conflict and its effects on contemporary politics, societies, and cultures.
Conditional Sentencing: The System’s Only Response to Domestic Violence in FBiH
According to data from the Gender Center, the most common form of punishment for the perpetrators of domestic violence in the Federation of Bosnia and Herzegovina (FBiH) is conditional sentencing, even though this type of punishment opens up the possibility for the perpetrator to commit additional violent crimes.
The Humanity of Perpetrators: Reflections on Joshua Oppenheimer’s “The Act of Killing” (Part I)
How do we heal when the past is wrought with violence while the present offers perpetrators impunity and survivors little to nothing? Joshua Oppenheimer’s two films, "The Act of Killing" and "The Look of Silence", each offer some insight into helping answer not only this question but the many questions that linger after incidents of genocide.