In the aftermath of the Bosnian War, Bosnia-Herzegovina was nearly in shambles. The conflict had wreaked havoc on the national economy and crippled its financial infrastructure. Yet, by the turn of the 21st century, hundreds of Chinese immigrants began moving into the country, establishing kineska radnjas wherever they settled.
Joshua Oppenheimer’s companion films The Act of Killing and The Look of Silence cinematically explore the enduring consequences of large-scale violence. Last year, both films were screened as part of the Sarajevo Film Festival’s Dealing with the Past project. Read Part I of ‘Reflections’ here. While Oppenheimer’s The Act of Killing interrogates the role of …
In the small town of Ilijaš just north of Sarajevo, a Roma family wearily explains the severe hunger they face after they have been persistently turned away from the local soup kitchen.
How do we heal when the past is wrought with violence while the present offers perpetrators impunity and survivors little to nothing? Joshua Oppenheimer’s two films, "The Act of Killing" and "The Look of Silence", each offer some insight into helping answer not only this question but the many questions that linger after incidents of genocide.
The fuzzy, metal-infused guitars and punk rock attitude of Mitrovica Rock School alumni, Proximity Mine, stand for much more than just youthful attitude and rebellion. Hailing from Mitrovica, the new band joins the ranks of a long line of influential rock musicians from Kosovo’s “Rock City”.