After years of civil war and oppressive Taliban control, taking photographs became a crime, which caused a complete media blackout in Afghanistan. When the US invaded the country in 2001, fledgling free press emerged and a newfound fascination with the power of photography was brought to light.
A new film focusing on survivors of the Srebrenica genocide premiered at the 21st Sarajevo Film Festival last week. Alessandra Goio and Marta Vidal report.
In an era of fleeting public attention, where audiences are increasingly impervious to the images of human suffering that permeate their television screens, Rémy doesn’t report with the goal of shaping policy or generating a particular response from Western governments. Rather, he sees himself as a messenger for those people who are living through war.