Plagued by nationalist-political narratives and rabble-rousing rhetoric, Bosnia and Herzegovina (BiH) is facing its worst political crisis since the end of the 1992-1995 conflict. However, street art in the country’s capital points to the possibility of reconciliation and peaceful coexistence in a society still polarized by the wounds of war.
On the 27th anniversary of the crimes against Tuzla's youth, the Srebrenica Memorial Center premiered the film „Kapija '95“, produced by the Post-Conflict Research Center, the Srebrenica Memorial Center, and the British production company Pinch Media.
A young architect from Sarajevo, Emina Arapčić (32), has been experimenting and working with concrete for a long time. ON.design emerged in 2016 as a project to bring together and showcase her work to a wider audience.
As part of the pre-program of Trnjanski kresovi to commemorate the liberation of Zagreb by the partisans on May 7th, the Zagreb Antifascist Network Zagreb organized Anti walks in cooperation with Documenta and researcher Tena Banjeglav.
The authorities in Bosnia and Herzegovina (BiH) should focus on young people and families leaving the country. The large diaspora can also be one of the possible sources of economic development of the home country. Moving abroad, as the diaspora says, does not erase memories or ties with the homeland, but creates a changing perception of what home is.
I had heard his story before. In fact, I had read and re-read it dozens of times already. But, as I listened to Ahmed Ustić’s Death March story, there was no way of quelling the strange paralysis that I had felt when I first read the account of this young man’s horrifying six-day journey for survival.