Aida Gavrić’s debut film “The Colorless” was shown on October 14th as part of the Post-Conflict Research Center’s project and photo exhibition “The Love Tales.” The film is about children from ethnically mixed marriages who, stigmatized as ‘half-breeds,’ are consigned to a liminal space, in between world’s, given the ethno-nationalist character of Bosnian and Herzegovinian society.
First as an informal group of citizens and later as an association, members of ADOPT Srebrenica created a neutral space where they can freely talk about the past, the events of the war, its consequences, and current affairs. Their aim is to foster sustainable coexistence, a more promising future, and mutual reconciliation.
Places that you visit spontaneously for the first time really have a special aura and soul. Just like that, with these emotions, my first trip to Rama was to study the traditional custom of tattooing among Catholics in Bosnia and Herzegovina.
On July 14th, 1995, Bosnian Serb soldiers shot Mevludin Orić at the Orahovac execution site in Zvornik Municipality – one of several locations where mass executions were carried out during the genocide in and around Srebrenica.