Both documentary and poetic, the new play, ‘‘The Lullaby for Mladenka,’’ takes crimes against Croatian civilians from the village of Grabovica in September 1993 as its subject. Members of the Army of the Republic of Bosnia and Herzegovina (ARBiH) killed 33 Croatian civilians, the oldest of whom was 87 years old and the youngest four. Play’s author is Sead Đulić, and it’s performed by the Mostar Youth Theater (eMTeeM).
Adnan Hamidović, better known as Frenkie, is one of the rare artists on the Bosnian music scene who has continuously spoken out about pressing issues in BiH for almost two decades now.
Azra Dedić was born in Bihać, the second child in the family. When she was born during the war years, her mom gave birth to a baby with Down syndrome--to whom she gave all her love and attention. Now twenty-four years old, she’s known to the public as a European Judo Champion, and is so much more. She’s the golden girl from Una, as many call her dearly.
A road trip story only makes sense when the travelers, at least mistakenly, have a goal and believe that arriving at their destination will solve all problems and end all the hassles of the trip. There is no such goal in Bosnia; all roads are seemingly equally bumpy and pointless, leading you around in circles even when you seem to be making progress. Driving through Bosnia is different: “a twisted cosmic worm that does not lead to an external and real destination but to the gloomy, barely traversed depths of your own being.” These are Lana Bastašić’s words, whose latest novel is called „Uhvati zeca.“
Amidst the few civic initiatives that have succeeded in transforming themselves into popular centers that thrive and expand upon the demand of citizens from different ethnic groups is the Mitrovica Rock School.
The Bosnian city of Bijeljina, nestled in the northeast, takes its name from the word “bijela” meaning “white”. Despite an absence of visual evidence as to why the city has been given this name, it nonetheless seems fitting. This is not due to an abundance of white buildings, of which there are few, but because the city possesses a muted, uniform complexion, lacking in pigmentation and expression.