The third edition of the Srebrenica Youth School, which was held as part of the 27th anniversary of the genocide in Srebrenica, was characterized by participants as a useful and educational experience.
In the Bosnian Cultural Center in Tuzla, the exhibition “Genocide in Srebrenica Through Legal Judgements” was opened as part of Srebrenica Genocide Remembrance Day. The exhibition is a part of the joint research project of the Srebrenica Memorial Center and the Post-Conflict Research Center.
On July 23rd, 2021, Valentin Inzko, the High Representative for Bosnia and Herzegovina (BiH), introduced a Law on the Amendment to the Criminal Code of Bosnia and Herzegovina punishing the denial of international crimes and glorification of war criminals. Coming shortly before the end of his mandate, this decision, in Inzko’s words, was taken after “all chances offered to the domestic authorities to distance themselves from war criminals were ultimately rejected.”
On the 27th anniversary of the crimes against Tuzla's youth, the Srebrenica Memorial Center premiered the film „Kapija '95“, produced by the Post-Conflict Research Center, the Srebrenica Memorial Center, and the British production company Pinch Media.
I had heard his story before. In fact, I had read and re-read it dozens of times already. But, as I listened to Ahmed Ustić’s Death March story, there was no way of quelling the strange paralysis that I had felt when I first read the account of this young man’s horrifying six-day journey for survival.
One would think that art and post-war wounds were not so connected. Aida Šehović, a Bosnian-born artist based in New York, disagreed and, for the past 15 years, has proven that art can help in post-conflict recovery.